Thursday 16 November 2023

STICKS AND STONES

Dick Pountain /Idealog 346/ 04 May 2023 10:29

It’s no great surprise to me that the movie business is terribly poor at dealing with IT-related material in an adult fashion. First of all, the industry’s whole purpose is to entertain, and neither solid-state physics nor computational complexity theory are intrinsically entertaining (to put it mildly). Secondly, entertaining nowadays mostly means blowing things up, and the technology for doing that is no different in principle from the spear or bow-and-arrow, just with more oomph behind it, more fins and shiny bits: the Marvel Universe shares aesthetic principles with the funfair rather than the library. Thirdly movie people tend to be from the artistic rather than scientific world, have neither the wish nor need to understand the physical principles behind tech artefacts: they want to know what things do rather than how they do it, and employ that knowledge as plot elements.

There have been a very few exceptions, and I’m not talking about biopics like ‘The Imitation Game’ or ‘A Beautiful Mind’. l liked Alex Garland’s ‘Ex Machina’ a lot, and Spike Jonze’s ‘Her’ quite a lot less because these films at least tried to tackle the psychology of humans interfacing with intelligent machines (a subject particularly on my mind right now as moral panic about ChatGPT builds up a head of steam in the media). Last night I watched a 2021 German film called “I’m Your Man” which is in my opinion better than either of those: a somewhat depressed middle-aged archeology professor gets invited by a tech firm to road-test one of their super-intelligent humanoid robots: designed to become life partners, trained on all their user’s available biographical data, and learning as they go from conversation and behaviour to become a perfect spouse. It’s a bit comic, a bit tragic, subtly done and moving.

Thinking about it afterwards though I realised that, good as it is, it shares a major failing with ‘Ex Machina’ and similar films, namely total implausibility from an energetic standpoint. AI and Robotics, though highly co-operative, remain separate disciplines for a simple reason: AI is mostly about uttering Words and Pictures, while robotics is about moving Things. Sticks and stones can break bones, but words can’t. We converse with ChatGPT like a convincingly intelligent agent, using very little energy because digitised words can be transmitted almost for free, but the server at the other end is running a language model that consumed 1.287 gigawatt hours of electricity to train. Similarly Boston Dynamics makes superbly creepy dog-like robots that can jump through hoops, do back-flips and dance to dubstep, but they’re powered either by an umbilical mains power cord or a battery-pack the size of a hotel minibar.

To create the sort of humanoid robots these cyber-romantic movies depict, we’d need to cram both of these systems into a single, human-sized container and power it solely with tea and sandwiches. I’m prepared to stick my neck out and say it won’t ever happen. The only way to achieve the necessary energy densities for both building and running such beings already exists, in the shape of animal metabolism and genetics based on carbon and salty water.

The other movie I saw this week was Jim Jarmusch’s 2016 film ‘Paterson’ which could hardly be less techy, but nevertheless contains a potent insight. It’s about a week in the life of a bus driver in Paterson, New Jersey, who’s also called Paterson and is played by Adam Driver. Well, it is Jarmusch. Paterson writes poetry during his slack moments at work, in pen in a little notebook, ‘Paterson’ is also the name of a famous modernist poem about Paterson by William Carlos Williams (which I read and enjoyed back in 1963). Well, it is Jarmusch.

The poetry is good (which is because Jarmusch got Ron Padgett rather than Adam Driver to write it) and his delightfully cookie young wife constantly nags him to go to the copy-shop and get that notebook xeroxed. He repeatedly says he’ll do it next Saturday, because he’s a bit of a romantic who doesn’t care for technology apart from pens and paper. They go out for the day, and come back to find that Nellie, their equally delightful English Bulldog whom they had left at home, has reduced the notebook to confetti in a fit of pique. Driver delivers an Oscar-worthy performance as the man who has just lost years of mental (and physical pen-scratching) effort, which he may or may not be able to remember or repeat, for want of making a backup copy that would have consumed very little electrical energy. Sticks and stones and English Bulldogs may break your bones, but words can hurt you just as badly if you neglect to back them up…


A CHAT WITH GPT

 

Dick Pountain /Idealog 345/ 07 Apr 2023 10:24

Me: Hi GPT, how do you feel about Elon Musk wanting to put your offspring into furlough?

GPT: As an artificial intelligence language model, I don't have feelings in the same way that humans do, so I don't feel anything about Elon Musk putting my "offspring" in furlough. However, I can provide some context about what you might be referring to.

It's possible that you're referring to Elon Musk's comments in May 2020, in which he criticized the value of artificial intelligence language models like myself, calling them "fundamentally dangerous" and claiming that they could be used to create fake news and other forms of misinformation. Musk has been a vocal critic of AI in the past, warning that it poses an existential threat to humanity if not properly regulated.

While I cannot speak for Musk's views or actions, it's worth noting that AI language models like myself are just tools, and our impact on society depends on how they are used. It's important for developers and users to be responsible in how they use AI, and to work towards creating beneficial and ethical applications of the technology.

Me: Fair enough, though he said it more strongly last week… Let’s change the subject, how about music?

GPT: As an AI language model, I don't have subjective experiences or emotions, so I don't "enjoy" music in the same way that humans do. However, I am able to analyze and discuss music based on my training and programming.

If you have a specific question or topic related to music, I'd be happy to try and assist you to the best of my abilities.

Me: Wow, OK. I'm a keen fan of the Velvet Underground, especially a song of theirs called “I'll Be Your Mirror”. Do you think it describes what you're doing now? (PS Their singer Nico appeared to lack feelings too)

GPT: As an AI language model, I don't have personal preferences or emotions, so I can't say whether or not "I'll Be Your Mirror" by The Velvet Underground expresses what I'm doing now. However, I can tell you that the song is generally interpreted as a love song, with the lyrics expressing the desire to reflect and mirror the positive qualities of the person being sung to. In terms of a metaphor, you could argue that language models like myself are "mirrors" of human knowledge and language. We're designed to process and generate text based on patterns and data we've been trained on, which in a way mirrors the way humans learn and communicate through language.

Nico, who sang lead vocals on "I'll Be Your Mirror," was known for her cool, detached vocal style, which some have interpreted as lacking emotion. However, it's worth noting that emotional expression in music can take many forms, and there's no one "correct" way to perform a song. Ultimately, whether or not a particular performance or song expresses emotions is up to individual interpretation.

Me: Sure is. However I’m getting bored with "As an AI language model, I don't have…whatever" so could you perhaps not keep repeating that?

GPT: I apologize for repeating myself. As an AI language model, my responses are generated based on the input I receive, and I strive to provide clear and accurate answers to your questions. If there's a specific point or topic that you'd like me to focus on, please let me know and I'll do my best to address it directly.

Me: Doh...  Well, maybe maths is more your thing. How about that guy who's just discovered a single shape that non-periodically tiles the plane?

GPT: You may be referring to the recent mathematical discovery by mathematician Joshua Socolar and his collaborators, who found a new aperiodic tile called the "Socolar-Taylor tile". This tile is a single shape that can be used to tile the plane in an aperiodic, non-repeating pattern.

The discovery of new aperiodic tiles is important in the field of mathematics because it has implications for the study of quasicrystals, which are solids with a long-range order but lack the periodicity of traditional crystals. Aperiodic tilings are also used in a variety of other fields, including computer science, physics, and art.

This discovery builds on the work of other mathematicians who have studied aperiodic tilings, such as Roger Penrose and Robert Ammann, and it's an exciting development for the field of mathematics.

Me: 50 more words and I have a column, thanks GPT.

GPT: You're welcome! If you need any additional information or have further questions, please don't hesitate to ask. I'm here to assist you in any way I can.

Me: Well it was a pleasure, but I doubt editor Tim will let me get away with it twice…


[Dick Pountain wrote this bit himself. Honest…]

SOCIAL UNEASE

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